At the age of 45, Juan Francisco Pardo is now known as an esteemed filmmaker and producer from Aruba. He has worked to showcase his skills in the film industry, starting as a master controller at ATV. Now, 26 years later, we will review his journey and what he sees in the future of filmmaking in Aruba.

In 1997, he became a part of the team at ATV as a master controller. "As a child, I wanted to make films. Steven Spielberg's movie 'E.T. the Extra-Terrestrial' inspired me. I was experimenting with a VHS camera and editing sketches using two VHS players. In 1997, I had a conversation with Mrs. Belquis Moreu, my neighbor, who recommended that I go study, but also try to work in the audiovisual field to see if that's really what I wanted to do. My first day of work at ATV as a master controller was during the big Carnival parade in Playa," Juan Francisco recounts.

Juan Francisco's experience at ATV was a confirmation of what he wanted to do. "I was like a kid in a candy store. I took advantage of all the opportunities that were given to me and worked in different departments, from master controller to technical director, evening news director, and editor. I accumulated so much experience that it fueled my desire to study the audiovisual field even further." Juan Francisco chose Spain and the Netherlands, where he studied Film Direction and Audiovisual Production.

While all the knowledge he gained at ATV facilitated his studies in Spain in the field of television, film was something entirely new.

"In 1992, at the age of fourteen, I wrote my first script, 'Ciudad Oraño.' Going to study in Spain was important for me so that I could produce my script. When I finished my studies in Spain, I decided to return to Aruba to execute 'Ciudad Oraño.' It didn't work out, instead, I made a shorter version called 'E Secreto.' I realized it was better to continue expanding my knowledge. I considered going back to Spain, but in the end, I chose the Netherlands. In 2003, I went to the Netherlands and studied graphic and interactive media design. In 2007, when I completed my studies, I felt the time had come to return to Aruba and start creating an Aruban film culture."

According to Juan Francisco, a good filmmaker has the ability to immerse the audience in the story, making them forget they're watching a movie. "A good film," he says, "makes the audience a part of the story. Once you study film, you won't watch a movie the same way anymore. When I watch a film, I know exactly where the camera is placed, and I know what will happen because everything in cinema has a purpose. I perfected these skills by telling stories that people can relate to but also by visually narrating my stories. In cinema, time is money, which means that filming a movie must be planned efficiently. My years of production experience gave me the ability to plan according to budget and time."

Juan Francisco acknowledges that the film industry emphasizes artistic passion over financial gain. He has found a balance between his love for creating films and the financial aspects by developing a formula that allows him to create impactful films while managing budgets effectively. His film "10 Ave Maria" is an example of this formula, which includes workshops and ten days of production. The project received funding specifically for its educational component, demonstrating a creative approach to film financing. "My strongest talent as a filmmaker is telling stories that transcend boundaries by using universal themes. For example, '10 Ave Maria,' 'Awa Brak,' and 'Alto Vista' have universal themes, and I was interested in studying human social behavior. All three of these short films are part of my sociology trilogy."

Tras camera, filmacion di un escena di e pelicula Abo So 2013.

Tras camera, filmacion di un escena di e pelicula Abo So 2013.

Juan Francisco receiving the award as a juror for the best short film at the 10th Ave Maria Film Festival for Trinidad & Tobago Film in 2011.

Juan Francisco receiving the award as a juror for the best short film at the 10th Ave Maria Film Festival for Trinidad & Tobago Film in 2011.

Near me, this is how it starts: with a pitch of the idea, which I often share with people I know or record on my phone. I write my scripts following the three acts: Setup, Confrontation, and Resolution. I outline scenes for each act and create biographies for my main characters. Once I have all of this, I start writing my script. Preparing for production is more intensive. I begin by breaking down the script, listing all the scenes, characters, and props. Then I proceed to plan the production, describing the duration of filming, schedule, scenes, locations, actors, and props. Duration is important because it helps me create a budget. With a budget in place, I move on to the next stage, which is seeking funding to realize the film. Once the funding is there, casting begins, followed by all other necessities."

Juan Francisco Pardo is a strong advocate for making films in Papiamento. His films have been presented at international film festivals with Papiamento scripts and English subtitles. These films introduce and promote the island's language on a global stage, preserving and celebrating Aruba's linguistic and cultural identity. "Films in Papiamento keep our language alive."

"We lack resources - money, materials, and knowledge. One way to access some of these resources is by creating incentives to attract international productions that use Aruba as a backdrop for filming international movies. At the same time, it promotes the Aruban product through these films.


Trinidad & Tobago is one of the islands already doing this and offers a 35% cashback plus an additional 20% if they hire local talent. This not only creates jobs but also helps locals gain more knowledge in the field. Over time, companies specializing in providing specific services to film productions will emerge, filling the gap for production materials and specialized personnel in various film departments. Money remains a delicate topic because making films is expensive. The good news is that now Aruba can also apply for subsidies from the Dutch Film Fund. The best way to support local production is by going to watch local films in cinemas. Part of the ticket revenue goes to the filmmakers, which can help in making another film."

The audio work 'On Air Drama' was nominated for a Gouden C by the Fonds voor Cultuurparticipatie in 2018.

The audio work 'On Air Drama' was nominated for a Gouden C by the Fonds voor Cultuurparticipatie in 2018.

Behind the scenes, filming a scene for the TV series "Ciudad Oraño" in 2018.

Behind the scenes, filming a scene for the TV series "Ciudad Oraño" in 2018.

The school program 'Kids Report' was executed at various secondary schools from 2019 to 2022.

The school program 'Kids Report' was executed at various secondary schools from 2019 to 2022.

Platform for showcasing talents at the 'Playa Film Festival' from 2021 to 2023.

Platform for showcasing talents at the 'Playa Film Festival' from 2021 to 2023.

As I mentioned, one of the motivations for studying in Spain was to realize my script for 'Ciudad Oraño.' In 2002, I didn't succeed, but in 2018, I did.
This is my first story that I wrote in 1992, and I managed to execute the project 26 years later. What makes this project special to me is that I typed it on an analog typewriter that my grandmother gave me. This experience ignited my passion for storytelling.